7.7.13

Realism(s) #29, or: some little bare numb spot of ground




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I guess you get to a point where you look at that pain as if it were there in front of you three feet away lying in a box, an open box, in a window somewhere. It's hard and cold, like a bar of metal. You just look at it there and say, All right, I'll take it, I'll buy it. That's what it is. Because you know all about it before you even go into this thing. You know the pain is part of the whole thing. And it isn't that you can say afterwards the pleasure was greater than the pain and that's why you would do it again. That has nothing to do with it. You can't measure it, because the pain comes after and lasts longer. So the question really is, Why doesn't that pain make you say, I won't do it again? When the pain is so bad that you have to say that, but you don't.

--James Salter's beautiful, laconic reading of Break it Down by Lydia Davis. Text from The Collected Stories of Lydia Davis (Penguin, 2011), p.24. Also, recently on Salter: James Meek in the LRB, and Sarah Nicole Prickett on A Sport and a Pastime

5.7.13

Des animaux #8


Before Sunset - Richard Linklater, 2004, 35mm

22.6.13

Forests #12




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Amy Cutler has uploaded a full catalogue of the recent exhibition at St. John on Bethnal Green, Time, the deer, is in the wood of HallaigThe exhibition includes a specially extended 25-minute version of Noon Hill Wood by Richard Skelton (part of his second ARCHIVAL release, accompanying the publication of Bark, Xylem), as well as work by Camilla NelsonSung Hee JinCarol Watts and David Chatton Barker (whose own site is worth a look too). Related: Dan Handel's extended essay for Cabinet's current special issue on trees, Into the Woods.

16.6.13

10.6.13

The blues goin' dwell with you #2


The Blues Accordin’ to Lightnin’ Hopkins - Les Blank, 1968, 16mm

The blues goin' dwell with you #1


The Sun’s Gonna Shine - Les Blank, 1969, 16mm

8.6.13

The Wind #7


Brush fires near the Quneitra border crossing, Golan Heights - Ammar Awad, 07/06/2013