We're just trying to document what's left #2

Get Out of the Car - Thom Andersen, 2010, 16mm

Via AndyGet Out of the Car screens at REDCAT in Los Angeles next month alongside Jean-Marie Straub & Danièle Huillet's Der Bräutigam, die Komödiantin und der Zuhälter [The Bridegroom, The Comedienne and the Pimp, 1968] and Fassbinder's Das kleine Chaos [The Little Chaos, 1967]. It's an intriguing pairing. Also, Andersen is interviewed by Vera Brunner-Sung in the new issue of Cinema Scope — on sound (p.20):

There's an impressionistic history of black jazz and rhythm and blues in Los Angeles, which is part of the city's heritage and should be better known. It has been forgotten, to a surprising extent. I think the history of music in Los Angeles is very important to the history of the city as a whole. It's kind of key. My conviction about the importance of music to films has intensified over the years. Bad music, bad soundtracks, have destroyed a lot of movies. The best filmmakers are always the ones with the best musical sense, like Pedro Costa, Jean-Marie, or even Stan Brakhage when he has music in his films it's always good. One of the most significant advances in modern cinema was the abandonment of non-diegetic music.

Der Bräutigam, die Komödiantin und der Zuhälter - Straub-Huillet, 1968, 35mm

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