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Images from Nathaniel Dorsky's latest film, August and After, which premiered in Los Angeles a couple of weeks ago. Via. Also, in London later this month: the first LUX/ICA Biennial, featuring some interesting programmes, and, projected at Gasworks, The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images.
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Dorsky adds, in a comment here: [The stills] have been prepared and scanned by a friend, John Borruso, from the positive work print generated from the original color negative. This has been the process since my film, Aubade. Before that, the scans were made directly from the the original Kodachrome. The present ones have a new look which I am beginning to appreciate and enjoy very much.
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